Lara Scott

5.23.2016

Film Fatale: DOUBLE INDEMNITY's Phyllis Dietrichson



Life can be so tough for film noir ladies. They have to be sexy yet (faux) sweet, hard as nails but also (faux) tender, and manipulate every situation so that the man who has fallen into their clutches thinks he is in control. Ready to play the shady lady in your own life? Inspired by Phyllis Dietrichson (played by Barbara Stanwyck) in 1944’s DOUBLE INDEMNITY, this is the How to be a Film Fatale Guide in seven easy steps:
1. When you first greet a strange man in your house, a man who has come to sell you insurance, wear only a towel and an anklet and appear at the top of the stairs. It will distract him and put him at a disadvantage.
2. When the strange man comes over again, pretend to call for the maid. Then pretend to realize it’s her day off and feign surprise that the two of you are alone. After all, you’re not that easy.
3. When you drop hints that you would like to knock off your rich husband and the strange man calls you out on it, insult him. Later, show up at his house with a flimsy excuse like he forgot his hat, his cigarette case, or his socks. After all, these things happen.
4. As you hatch your scheme, make sure to use a seductive voice that sounds half needy and half sultry. Call the strange man “Walt-uh,” not “Walter.” Stumble into some good film noir lighting, and choose clothes that hug your curves. And don’t smile. No smiles!
5. After your husband has an unfortunate accident on the late train leaving Glendale, the insurance policy company will bring you in for questioning. Be sure to wear a veil. Nothing is as dramatic and screams “widow in mourning” like a black veil. You'll gain oodles of sympathy, and it looks good with your blonde hair.
6. When you meet your lover /accomplice in the grocery store and want to make it look like you are not meeting your lover/accomplice, wear dark shades indoors. Nothing says incognito like dark glasses inside a grocery store while shopping for tomatoes.
7. When the plan falls apart because of a suspicious insurance claims investigator, know when to cut your losses. Invite your lover/accomplice over in the evening, and be sure to turn off almost all the lights and close the venetian blinds to make some scary shadows. Keep a weapon handy; maybe  tuck it under a cushion. And if all else fails, reveal to your lover/accomplice that you were only using them, but just now started loving them 30 seconds ago.
After all, you really do love the guy. Really. You do. Maybe. We think. Or not.


 By: Lara Scott and Tracey LaMonica
Hear Lara's Classic Movie Recall review of DOUBLE INDEMNITY here.

5.13.2016

THE STELLA DALLAS GUIDE TO BREAKING HEARTS

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THE STELLA DALLAS GUIDE TO BREAKING HEARTS

Buckets. Rivers. Oceans of tears. King Vidor's STELLA DALLAS (1937) is a twelve hanky weeper that stars one of the greatest of the great actresses of all time, Barbara Stanwyck, in the title role. I think Stanny might be my all-time favorite, and Stella is a fantastic, fascinating character because she is over-the-top and garish, but also incredibly generous and loving; there is something completely lovable about her and she is someone that you want to root for. However, she doesn’t realize that she is too much (too loud, too unsophisticated, too ambitious) for the refined, upper-class peeps that she wants to associate with, and they are certainly not rooting for her. One of the many things that makes this film so devastating is that from the beginning, we (or at lease I) see where things will most likely end up, yet we are powerless to stop it, even by shouting at our tv, computer screen, or iPhone as we slowly cry our eyelashes off. No one does heartbreak like Old Hollywood, so I give you:

Five Ways To Channel Your Inner Stella Dallas


5. Aspire to a higher station in life, when we all know it's going to be a train wreck when you get there. Young Stella has her eye on the finer things in life; as we might say today, she has champagne tastes on a beer budget. Her ticket to the good life comes in the delicious package of Stephen Dallas (John Boles), a rich, eligible bachelor who is smitten by Stella and marries her after a whirlwind courtship. He whisks her away to an elegant home, dresses her in fine apparel, takes her to high-society events, and dotes on her after their baby girl is born.

4. While your husband is in New York working most of the time, have the inappropriate guy (Ed, played by Alan Hale) you recently danced with in front of your hubby over to the house, serve him a drink and then make sure he is holding your precious baby girl as your husband WALKS IN THE DOOR from NYC. Surprise!

3. Get dressed up in your “fancy” clothes, the ones you have made yourself because you are no longer Mrs. Stephen Dallas and money is tight, put on lots of makeup, wear high heels and a ginormous hat and stroll through the high-society crowd at the ritzy vacation spot looking for your daughter (Laurel, played by Anne Shirley) and the mother of the boy she likes. Look around as the crowd makes fun of what they consider your vulgar appearance.

2. After your daughter hustles the two of you away from the ritzy resort without telling you why (Laurel has a heart of gold and doesn’t want you to be hurt by the nasty comments), settle into your berth on the train for some much-needed rest. Be wide awake as you hear some young girls that know Laurel ripping you to shreds, and let the realization that this crowd will never accept you play out on your face in a subtle way. When your sweet daughter looks into your berth so see if you have overheard, pretend to be asleep.

(In order to NOT give away the ending, I am going to omit a scene that should be here. If you have seen the film, it is where Stella meets with Helen to pitch her an idea, followed by what Stella does when Laurel comes home.)

1. Stand in the dark with the other peasants outside the big, beautiful house in your sad coat and hat, tears streaming down your face, as you look through a window at your only child with the man she loves. Make sure your face is perfectly framed between the pointy iron bars of the fence that are a physical reminder of a class line you can never cross, and as you walk away, change your face subtly from longing and sadness to relief that your sacrifices were worth it, as your daughter will have the life you always wanted.

Love classic film? Check out my new Classic Movie Recall podcast on Itunes or at www.ClassicMovieRecall.com

5.01.2016

A Guacamole Recipe For Cinco de Mayo


I love that my girl Kristin Cruz volunteered me to share this recipe! :-) I think they're going to talk about it on the MomBlab Momangeles podcast on 5/2 at 10:30a Pacific, so check out Kristin and Laura Nickerson as they talk Cinco de Mayo and lots of fun stuff for families.

GUACAMOLE

I like to make my own because I think when it is fresh it just tastes better, and I also know exactly what's in it. Take a look at a lot of guacamole that you will find at the store; there will most likely be a long list of ingredients, and possibly some that you don't recognize and/or can't pronounce. Also, when you see the word "spices" in an ingredient list, that is code for "chemicals." Get the best quality ingredients you can, as fresh herbs and produce from the farmers market will make a huge difference in the taste. Enjoy!

Ingredients:
3 perfectly ripe avocados
1 tablespoon freshly squeezed lime juice
1/2 teaspoon ground cumin
Sea Salt (NOT table salt) to taste

My kids are little and aren't into a lot of chunky texture in their food at this point, so if we are all eating it that is all I will use and I just mix and mash up everything really well. BUT...you can also add:

1/2 of a medium sized onion, chopped
1 tablespoon cilantro, chopped
2 Romo tomatoes (seed and dice them)
(I usually toss the above 3 ingredients in my food processor and pulse them to chop)
1/2 teaspoon cayenne pepper
1 clove garlic, minced (if you are sick, add an extra clove)

Add these to the avocado mix above and stir well! I serve with tortilla chips, on sandwiches, spread on a sheet of nori seaweed and rolled up like a burrito, and right out of the bowl on a spoon.