Lara Scott

Showing posts with label Film Noir. Show all posts
Showing posts with label Film Noir. Show all posts

5.23.2016

Film Fatale: DOUBLE INDEMNITY's Phyllis Dietrichson



Life can be so tough for film noir ladies. They have to be sexy yet (faux) sweet, hard as nails but also (faux) tender, and manipulate every situation so that the man who has fallen into their clutches thinks he is in control. Ready to play the shady lady in your own life? Inspired by Phyllis Dietrichson (played by Barbara Stanwyck) in 1944’s DOUBLE INDEMNITY, this is the How to be a Film Fatale Guide in seven easy steps:
1. When you first greet a strange man in your house, a man who has come to sell you insurance, wear only a towel and an anklet and appear at the top of the stairs. It will distract him and put him at a disadvantage.
2. When the strange man comes over again, pretend to call for the maid. Then pretend to realize it’s her day off and feign surprise that the two of you are alone. After all, you’re not that easy.
3. When you drop hints that you would like to knock off your rich husband and the strange man calls you out on it, insult him. Later, show up at his house with a flimsy excuse like he forgot his hat, his cigarette case, or his socks. After all, these things happen.
4. As you hatch your scheme, make sure to use a seductive voice that sounds half needy and half sultry. Call the strange man “Walt-uh,” not “Walter.” Stumble into some good film noir lighting, and choose clothes that hug your curves. And don’t smile. No smiles!
5. After your husband has an unfortunate accident on the late train leaving Glendale, the insurance policy company will bring you in for questioning. Be sure to wear a veil. Nothing is as dramatic and screams “widow in mourning” like a black veil. You'll gain oodles of sympathy, and it looks good with your blonde hair.
6. When you meet your lover /accomplice in the grocery store and want to make it look like you are not meeting your lover/accomplice, wear dark shades indoors. Nothing says incognito like dark glasses inside a grocery store while shopping for tomatoes.
7. When the plan falls apart because of a suspicious insurance claims investigator, know when to cut your losses. Invite your lover/accomplice over in the evening, and be sure to turn off almost all the lights and close the venetian blinds to make some scary shadows. Keep a weapon handy; maybe  tuck it under a cushion. And if all else fails, reveal to your lover/accomplice that you were only using them, but just now started loving them 30 seconds ago.
After all, you really do love the guy. Really. You do. Maybe. We think. Or not.


 By: Lara Scott and Tracey LaMonica
Hear Lara's Classic Movie Recall review of DOUBLE INDEMNITY here.

4.29.2016

5 Lessons Learned From 1950's SUNSET BOULEVARD



Billy Wilder’s 1950 film noir classic, SUNSET BOULEVARD, won three Academy Awards and has inspired countless viewers to wrap their heads in leopard-print turbans while perfecting lines like, “We didn’t need dialogue. We had faces!”

Why do people still freak out over this film? Perhaps it’s William Holden’s cleft chin, or nostalgia for the Golden Age of cinema. Could be that people enjoy experiencing the worst of Hollywood made by the best of Hollywood. Or, maybe we all just like seeing Gloria Swanson, a true silent screen goddess making the mother of all comebacks in this film, do her Charlie Chaplin routine.

Here are a few things we learned while watching the film for the umpteenth time and deciding that we are firmly #TeamNorma:







1. When a delusional former silent film star (Norma Desmond) falls for you (Joe Gillis) – try not to end up floating in her pool, even if you do make the most handsome corpse ever.  Next time you want to leave, try sneaking out the back door while she is playing bridge with Waxworks buddies like Buster Keaton.

2. If you happen to be a former silent film star that has not had a hit in, oh….decades, it is important to pay attention to your budget. When hiring staff, save some coin by hiring someone like Max, who can chauffeur, be a butler and play the organ. Yes, he may have once directed you and been your husband, but—bygones!



3. Don't mix work and, um, pleasure. If you accept the role of Norma Desmond’s male “companion”– be that and only that. If she wants you to work on her comeback screenplay where she will play a teenager, tell her to to hire a ghostwriter. And if you want to hone your writing skills, start a blog.


4. While living with a former silent film star, don’t fall in love with any sweet ingĂ©nues like Betty Schaefer. True love does not exist in film noir, and you don’t have time for it anyway because you are busy attending funerals for monkeys and driving through the hills with Norma and Max.
 
5. If YOU are the former silent film star and are losing your grip on reality, one must always remember their adoring public and make an entrance like the queen of the screen you once were. Assemble the police and the press, and descend the stairs of your mansion to deliver one of the most famous lines in film history: “All right, Mr. DeMille. I’m ready for my close-up.”
 
 
 
And by the way...don't bother looking for Norma's house on Sunset Boulevard; it was actually on WILSHIRE Boulevard, and has since been torn down. 
 
Hear my Classic Movie Recall review of SUNSET BOULEVARD here. 
 
This blog was co-written with Tracey LaMonica.